The Droimlins – And Then There’s Whiskey

The Droimlins
“There’s everything else in the world, and then there’s whiskey….”

Very happy this song from The Droimlins was released. This is probably my favorite track from the EP we did earlier this year. These are a bunch of great songs, but this one had something special in the performance. The Droimlins describe themselves thusly:

Multi-instrumentalist Jimmy Otis and songsmith Eddy Dyer, both formerly of The Reagan Babies have again joined forces to create The Droimlins, Lowell’s newest Celtic Gypsy Punk outfit; regaling you with songs of Drinking And Rebellion.

The recording was done very simply, in a small, untreated room. It was done live in one take to preserve the performance aspect of what they do. The arrangement on this song is fantastic, the interplay between the guitar and the accordion, with the vocals sitting right on top, is really good.

I recorded the accordion with 2 dynamic microphones that have excellent sound and fantastic rear rejection, so I could maximize separation from the guitar & Eddy’s voice. Accordions produce sounds from both ends, so you really need 2 mics to do it justice. I used a pair of ribbons to record Eddy’s acoustic guitar, along with a tube mic for Eddy’s vocals. These all gave really nice tones, despite the very far from perfect room, with lots of flexibility during the mix. Because there was significant bleed between everything, I didn’t bother recording room mics, and they weren’t needed in the mix.

In addition to this project, I am working with Eddy on his upcoming solo album. Please support him if you can, it’s going to be excellent.

Morgan Lindenschmidt – When The Words Fade, We Fade

Morgan Lindenschmidt - When The Words Fade We Fade - Cover

When The Words Fade, We Fade, the new EP by Morgan Lindenschmidt, is finally here. Check it out on her Bandcamp page:

This one was fun. The basic tracks were recorded in the same way as Rest Inside (her debut EP), using my recording rig. The first track (An Aftertaste) was recorded at home, with the rest of the tracks done over at Halo Studios’ live room. The performance of An Aftertaste on the home recording was just too good, so we kept it. All the songs basic tracks were six tracks total: stereo ribbon mics on the guitar, an AKG 414 on vocals, a pair of Gefell room mics, and a DI out of the guitar.

However, there was much more post production on this one. I used the DI output to reamp the guitar on several tracks, including Little Hoaxes/Little Hopes above, which is my personal favorite track on the album. This one has a lot more texture and sonic depth than the previous recording, and the growth of the artist as a songwriter and performer is apparent since her debut EP. I also did the mixing and mastering on this one.