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	<title>Crafted Recordings &#187; Clients</title>
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	<link>http://www.craftedrecordings.com</link>
	<description>Quality on-location audio recording in Northern New England</description>
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		<title>Gin Mill Julep sound samples</title>
		<link>http://www.craftedrecordings.com/2010/02/01/gin-mill-julep-sound-samples/</link>
		<comments>http://www.craftedrecordings.com/2010/02/01/gin-mill-julep-sound-samples/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 06:32:16 +0000</pubDate>
		<dc:creator>JWL</dc:creator>
				<category><![CDATA[Clients]]></category>

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		<description><![CDATA[Here are 2 sound samples from the Gin Mill Julep demo sessions. First is an instrumental called Metsakukkia (Finnish for &#8220;forest flower&#8221;): Second is a medley of some of their vocal songs:]]></description>
			<content:encoded><![CDATA[<p>Here are 2 sound samples from the Gin Mill Julep demo sessions.</p>
<p>First is an instrumental called Metsakukkia (Finnish for &#8220;forest flower&#8221;):</p>

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<p>Second is a medley of some of their vocal songs:</p>

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		<title>Gin Mill Julep</title>
		<link>http://www.craftedrecordings.com/2010/01/20/gin-mill-julep/</link>
		<comments>http://www.craftedrecordings.com/2010/01/20/gin-mill-julep/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 06:03:40 +0000</pubDate>
		<dc:creator>JWL</dc:creator>
				<category><![CDATA[Clients]]></category>

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		<description><![CDATA[I recently recorded Gin Mill Julep, an old-time folk trio (mandolin, upright bass, and accordion, all 3 sing). We got space in an old church building in Buxton right on the Saco river. It was a great sounding space. The recording was old-school style, live performance, no overdubs. Still working on the mixes, but I&#8217;ll [...]]]></description>
			<content:encoded><![CDATA[<p>I recently recorded Gin Mill Julep, an old-time folk trio (mandolin, upright bass, and accordion, all 3 sing). We got space in an old church building in Buxton right on the Saco river. It was a great sounding space. The recording was old-school style, live performance, no overdubs.</p>
<p>Still working on the mixes, but I&#8217;ll have an audio sample up soon.</p>
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		<title>On-Location Recording</title>
		<link>http://www.craftedrecordings.com/2009/04/19/on-location-recording/</link>
		<comments>http://www.craftedrecordings.com/2009/04/19/on-location-recording/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 02:52:10 +0000</pubDate>
		<dc:creator>JWL</dc:creator>
				<category><![CDATA[Acoustics]]></category>
		<category><![CDATA[Clients]]></category>
		<category><![CDATA[News]]></category>

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		<description><![CDATA[This site has been quiet, but I&#8217;ve been doing a lot of recording lately. Much of this is for Freakwitch, where I&#8217;ve been recording guitars along with the basic tracks that Jon Wyman recorded at his place several weeks ago. My approach to recording has been working well. I find interesting rooms (such as a [...]]]></description>
			<content:encoded><![CDATA[<p>This site has been quiet, but I&#8217;ve been doing a lot of recording lately. Much of this is for Freakwitch, where I&#8217;ve been recording guitars along with the basic tracks that Jon Wyman recorded at his place several weeks ago.</p>
<p>My approach to recording has been working well. I find interesting rooms (such as a big open room in an old mill, a church, a dance studio, etc) and record. I (of course) bring acoustic panels with me, and generally set up so that I can get nice dry close mics (with panels), as well as huge room mics with lots of reverb. This way I can dial in the exact amount of reverb (which I can of course &#8220;carve&#8221; with EQ and compression etc.) that I want. This approach sounds better than any reverb plugin, in my opinion.</p>
<p>You can hear a great example of this in a recording I did a few months ago for some friends. They are a <a href="http://www.rpmchallenge.com/component/option,com_comprofiler/task,userProfile/user,4159/Itemid,296/">hand-drumming duo</a>, so we recorded in a big live room (this one was at the mill). I didn&#8217;t mix this, but just did the tracking for them.</p>
<p>It&#8217;s a very interesting approach to recording. It makes gearlust somewhat of a moot point; with good mic technique, acoustic panels, good rooms, and good performances, you don&#8217;t need hyper-expensive boutique gear. So, send all your expensive mics and preamps to me, since you don&#8217;t need them anymore. ;-)</p>
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